February 25, 2018 § 2 Comments
Hello dear readers! I may not have gotten any new books in a bit but I did have some time to fix up four posts here on the site!
Histories of Herodotus now has its LEC newsletter (thanks to Devotee kdweber)
Barchester Towers has had its two separate posts merged into one for comparative purposes.
Tales of Hoffmann and Gargantua and Pantagruel now have their Sandglasses included.
With these updates I also went through to make sure I had gotten all of my newsletters and such posted for the Heritage titles in my collection, and I am now up to date on that front as well.
Many of the older posts could use some touching up on many fronts, but that’s not a major priority in my life at this time, alas. But I am happy to get these loose ends taken care of! I’ll see you once I acquire more books or find myself with the motivation to work on polishing up the aforementioned posts.
December 20, 2015 § 1 Comment
Gargantua and Pentagruel by Francois Rabelais (1942)
Sandglass Number 10M
Artwork: Illustrations by Lynd Ward
Translation and Introduction by Jacques LeClercq
Heritage Press Exclusive; the LEC printed their own LEC, #82, in the 7th Series, V. 12, in 1936 with a five-volume set featuring the talents of W.A. Dwiggins.
Click images for larger views.
Front Binding – Our weekend of Ward marches on with this delightful Heritage exclusive edition of Francois Rabelais’ Gargantua and Pantagruel, an early French comedic romp filled with fantasy and humor. Despite being printed in the middle of World War II (of which I could compile a post of mishaps and tragedies that beset the George Macy Company’s efforts…perhaps next year?), Macy managed to produce this lovely 800 page volume packed to the gills with 100 drawings from Mr. Ward, a mammoth undertaking for both press and artist! Rabelais, a monk and practitioner of medicine in his time, is best known for this work, and it’s a defining classic of French literature. This work was also issued as a LEC earlier in 1936, starring W.A. Dwiggins in a five volume set.
Ward, as mentioned yesterday, has his bibliography here. And I won’t mince any further words about him here, as I’ve probably gushed plenty about his talents elsewhere on the blog; just know that he did 100 line drawings interspersed in Rabelais’ text.
Design Notes – The designer is not mentioned; we do know that LeClercq’s translation comes from the LEC, so it’s possible that Macy borrowed the textual design of that work for this reissuing (W.A. Dwiggins designed the LEC). However, Electra was Dwiggins’ font of choice; here, Scotch is used. So I’m not sure who exactly to credit on this one.
The text was composed by Quinn and Boden and put to the page by Ferris Printing Company. The binding is a little strange — the Sandglass observes that a blue stamped design was intended for the book’s tan linen, but as you can see, that didn’t happen with my book (only on the spine). Perhaps World War II once again undermined Macy’s intentions? And that’s as deep as the Sandglass goes into production notes here.
Title Page – LeClercq serves as an Introductory voice to the text as well as its translator.
Examples of the illustrations by Ward (right click and open in new tab for full size):
Personal History – This was my first purchase of a Heritage/LEC title after I moved! Huzzah! Purchased at the Bookstore in Chico. Eager to read!
Updated 2/25/2018 – JF