Limited Editions Club – Snow-Bound by John Greenleaf Whittier (1930)
January 12, 2019 § Leave a comment
Snow-Bound by John Greenleaf Whittier (1930)
LEC #4/1st Series V. 4 in 1930
Artwork: Vignette on the title page was done by Alice Hubbard Stevens. Otherwise unillustrated.
Foreword by George S. Bryan
#1441 of 1500. LEC Exclusive.
Click to see larger views.
Front Binding – Let’s take a brief respite from Shakespeare to cover what is currently the oldest LEC I own and on the blog as of today: Snow-Bound by John Greenleaf Whittier. This was the fourth volume issued by the Limited Edition Club way back in January of 1930, meaning it’s 89 years old this month! It was also the debut of Carl Purington Rollins to the halls of the Club, but we’ll discuss him momentarily.
Whittier was one of America’s most vocal abolitionists as well as a notable poet — Snow-Bound won him a fair amount of acclaim upon its publication in 1865, and his writings on anti-slavery remain in the discourse of U.S. History. Macy fancied his work quite a bit, given the very early publication of Snow-Bound by the Club. Sadly, the title did not earn much accolades from the readership according to the Quarto; he sadly recites a brief anecdote on how one member was so offended to pay $10 for “so slim a book”. Whittier would see a collection of his poetry released in 1945 by the LEC and Heritage Press, and unlike this edition would feature multiple illustrations, done by painter Raymond J. Holden.
Rollins was the printing maestro of Yale University Press, and his debut emphasizes his book design philosophy. Macy was obviously pleased by this edition based on his comments below. Rollins took the title literally with his design, making every component suggest the wintry powder Whittier espouses throughout his poem. The paper is textured and distinctly white, the font gives the impression of snow falling from the sky, and the ornamental letters hide little snowflake adornments within. And the binding of course swirls itself like a blizzard. It evokes the season quite well.
Design Notes – Here’s what the Quarto-Millenary has to say about the design:
Title Page – The title page doesn’t mention its introduction writer, George S. Bryan, who provides a brief foreword. The vignette was designed by Alice Hubbard Stevens, marking the debut of the first woman artist to the Limited Editions Club (and would, to my knowledge, not return for a second commission).
Colophon – This is #1441 of 1500, and was signed by Rollins.
Bibliography – Unlike most LECs, the earlier editions did include a bibliography of earlier titles. I believe volume 6 in the first series, Two Medieval Tales, does the same.
Example of the typeface:
Personal Notes – I purchased this from Old Capitol Books in Monterey on my recent vacation. It has actually been there since 2008, waiting for someone to give it a home. With my last visit, I decided to bring it to mine. It’s neat having a book from the first series after all this time, 10 years into collecting these!