Heritage Press – Gargantua and Pentagruel by Francois Rabelais (1942)
December 20, 2015 § 1 Comment
Gargantua and Pentagruel by Francois Rabelais (1942)
Sandglass Number 10M
Artwork: Illustrations by Lynd Ward
Translation and Introduction by Jacques LeClercq
Heritage Press Exclusive; the LEC printed their own LEC, #82, in the 7th Series, V. 12, in 1936 with a five-volume set featuring the talents of W.A. Dwiggins.
Click images for larger views.
Front Binding – Our weekend of Ward marches on with this delightful Heritage exclusive edition of Francois Rabelais’ Gargantua and Pantagruel, an early French comedic romp filled with fantasy and humor. Despite being printed in the middle of World War II (of which I could compile a post of mishaps and tragedies that beset the George Macy Company’s efforts…perhaps next year?), Macy managed to produce this lovely 800 page volume packed to the gills with 100 drawings from Mr. Ward, a mammoth undertaking for both press and artist! Rabelais, a monk and practitioner of medicine in his time, is best known for this work, and it’s a defining classic of French literature. This work was also issued as a LEC earlier in 1936, starring W.A. Dwiggins in a five volume set.
Ward, as mentioned yesterday, has his bibliography here. And I won’t mince any further words about him here, as I’ve probably gushed plenty about his talents elsewhere on the blog; just know that he did 100 line drawings interspersed in Rabelais’ text.
Design Notes – The designer is not mentioned; we do know that LeClercq’s translation comes from the LEC, so it’s possible that Macy borrowed the textual design of that work for this reissuing (W.A. Dwiggins designed the LEC). However, Electra was Dwiggins’ font of choice; here, Scotch is used. So I’m not sure who exactly to credit on this one.
The text was composed by Quinn and Boden and put to the page by Ferris Printing Company. The binding is a little strange — the Sandglass observes that a blue stamped design was intended for the book’s tan linen, but as you can see, that didn’t happen with my book (only on the spine). Perhaps World War II once again undermined Macy’s intentions? And that’s as deep as the Sandglass goes into production notes here.
Title Page – LeClercq serves as an Introductory voice to the text as well as its translator.
Examples of the illustrations by Ward (right click and open in new tab for full size):
Personal History – This is my first purchase of a Heritage/LEC title since I moved! Huzzah! Purchased at the Bookstore in Chico. Eager to read!