Twenty Years After by Alexandre Dumas (1958)
LEC #283/26th Series V. 4 in 1958
Artwork – Hand-colored illustrations by Edy Legrand
Introduced by Ben Ray Redman
LEC #144 of 1500
Click images to see larger views.
Front Binding – Hello, everyone! Let’s begin today right with a LEC post. We all love those, right?
Twenty Years Later is the middle of Alexandre Dumas’ Three Musketeers trilogy, which is among the greatest works in French literature. Dumas received more than a few LEC editions, with The Three Musketeers seeing two releases, one in 1932 with Pierre Faulk’s illustrations as a 2 volume set, and a later 1953 edition with Edy Legrand’s art. The Count of Monte Cristo followed in 1941 in a massive four-volume set with Lynd Ward supplying his artistic touch. The lesser-known The Black Tulip came out in 1951 featuring the design of Jan van Krimpen and the art of Frans Lammers (both signed the books). Three more books featuring Legrand came next, all within the Three Musketeer canon: Twenty Years Later came out in 1958, The Man in the Iron Mask was sent out in 1965, and the last, Marguerite De Valois, was released in 1969. The last book of Dumas’ to see release was 1973’s The Queen’s Necklace, with Cyril Arnstram providing art for it. His son, Alexandre Dumas, fils had his major work Camille performed twice as well, making this father-son duo one of the few (if there are any others!) to have two LEC’s done for one of their respective works. French painter Marie Laurencin handled a 1937 edition, while Bernard Lamotte illustrated a later 1955 version.
I am pleased to share with you another whimsical collection of Edy Legrand’s artwork. I quite like his work, that I do, and it’s nice to have fully colored examples to showcase for you this time. I cover his career with George Macy in The Nibelungenlied post.
Here’s the announcement page with the publication details:
The boards are a lovely red with three fleurs–de–lis stamped in gold on the front. I believe this is common to all of the Legrand Dumas, with varying colors for the boards of each book.
Spine – The book was still in its wrappings when I bought it, thus the radiant red spine. Definitely one of the overall nicest exteriors of any LEC I own.
Title Page – For some reason, the translator of this and the other works of Dumas done by Legrand is notably lacking. Dumas wrote in French, so there was some translation work done here! The Monthly Letter also curiously omits this detail. We do know Ben Ray Redman introduces the book, but it’s a little weird that the George Macy Company doesn’t cite their translation source.
Signature Page – This is #144 of 1500, signed by Legrand. Legrand didn’t always sign his works; Don Quixote, Travels in Arabia Deserta and The Three Musketeers were all issued unsigned.
Page 46 – Such intensity. I haven’t read this yet, but I’m intrigued! I did have a rather unfortunate mishap with this book, though regarding this page. Apparently some glue had gotten stuck on the page following this illustration, and I had to rip them apart, to the detriment of some of the text. The pages weren’t torn in the process, but it was a little disheartening to somewhat assault such a lovely book.
Personal Notes – I bought this with store credit at Carpe Diem Rare Books in Monterey, CA, for $50 (i.e. two books I sold in). Nice shop, nice owners, worth a look if you’re in the area. It’s where I also got my Zadig, and hey, it’s got the same number. :) I’m also happy to have a signed Legrand!
Updated 7/6/2012 – JF