January 6, 2013 § 2 Comments
My favorite book shop closed its doors last year, and I mentioned that I would devote a special post to its memory. Well, this is that post. I’ve since discovered that another gentleman, a Mr. Matthew Sundt, has purchased the business and rechristened it Old Captiol Books, so I’m pleased to hear that the store’s core remains. However, I still want to devote space to giving Book Haven a proper eulogy.
Book Haven was a magical place. It was the realization of the perfect dream bookshop for me. Tons upon tons of books, many classics, many Heritage Press and Limited Editions Club titles, and super-friendly proprietors. It was a delight to step inside and experience the wonder of books. It was where I purchased my very first LEC, Man and Superman. I would go on to purchase The House of the Dead, The Oresteia, Three Men in a Boat, The Three-Cornered Hat, Saint-Simon’s Memoirs, Far from the Madding Crowd, and Twenty Years After. All had the same number, #403, which I think is pretty nifty. Hopefully, Old Capitol is still selling some of the remaining stock so I can continue to expand upon those.
Heritage Press books were a huge part of the store’s classic inventory, and I ran off with many of their better selections, including the original issuing of Manon Lescaut. Along with that, my Heritage collection from Book Haven included Resurrection, The Nibelungenlied, The Narrative of Arthur Gordon Pym, Elegy Written from a Country Churchyard, The Birds and the Frogs, The House of Seven Gables, The Possessed, A Journal of a Plague Year, and The Ambassadors. I also got my Heritage Saint-Simon from them. Their prices were quite reasonable, $10 – 15 for a book, depending on condition and completeness.
The owners were a delight to discuss books with, too. We had a few really amazing conversations about their LEC history (including hearing about the lovely Fahrenheit 451), and they were kind enough to help us out when another local bookshop’s buyer was absent on a trip, taking a look at our books and giving us money for some of them with little warning.
So, while the shop lives on as Old Captiol, the memories of Book Haven will always be ingrained in my mind. I wish prior owners Guy Rodriguez and Jerry Welling the best in their retirement, and look forward to checking out the new shop to see how Mr. Sundt runs his business.
October 1, 2012 § 3 Comments
Fellow Macy Devotee and book lover Chris Adamson (aka busywine) has done a wondrously thorough, enriching and illuminating post on the complete LEC Shakespeare set issued in 1941 at his Books & Vines blog. Pictures of all of the 37 plays and the two Poems/Sonnets that came the year after are included, and it’s the best way I can recommend getting an idea of how exquisite these books truly are. With my odds of landing that set slim at best for a few years, I will suggest this post to everyone if asked about this set. Check it out!
July 7, 2012 Comments Off
Fritz Eichenberg is one of my favorite illustrators, and today I wanted to share with you some of his “behind-the-scenes” material included in his marvelous collection of woodcuts and lithographs, The Wood and the Graver. This is a must for fans of Eichenberg, as it includes personal recollections of most of his LEC and Heritage Press output, plus a generous smattering of his exquisite art from the George Macy Company and beyond. I’ll share some of his memories with you at a later date, but for now, enjoy the pictures. :)
This shot may look familiar to anyone who has seen Eichenberg’s Crime and Punishment Heritage or LEC. This is a posed shot Eichenberg did of himself in order to aid capturing the tense moment seen on the title page in both books. Here’s the finished product:
While we’re talking about this engraving, here’s a glimpse into the carving process:
This gives you the briefest understanding of the time and dedication it takes to be a wood engraver. The text expands upon that significantly. How about some sketchwork? Since we’ve been discussing Crime and Punishment, we’ll begin there:
The final woodcut appears on page 250 of the Heritage and Page 323 in the LEC.
This comes from The Idiot, but I do not know the page number right off hand. It’s like the one Dostoevsky I don’t have. XD
This too is from The Idiot.
The last sketch I have for you now is from the Heritage Gulliver’s Travels. Alas, I can’t aid you with a page number here, either.
The last two pieces are not conceptual, but are actually variants of art seen in The Brothers Karamazov. At the same time, Eichenberg had a commission for another Dostoevsky work for an alternate publisher, The Grand Inquisitor. Unlike Karamazov, which used stone lithographs, he did Inquisitor with wood engravings. I can do a comparison of one of them at the moment, and I’ll see about eventually refreshing the post with the final version of all of these sketches once I have The Idiot and Gulliver’s Travels in my possession. (There is a Dostoevsky pun there). Anyway!
And the other:
Hope you enjoyed this peek into Eichenberg’s creation process!
July 6, 2012 Comments Off
A nice little clip detailing out a slew of pictures of many LEC’s, plus mostly accurate information from ABEBooks’ Richard Davies. Funny story: I had to talk to Davies once to find out their customer service number for my first bookstore gig, which he was kind enough to give yet was a bit annoyed that he had to do it (he asked me not to call that number again :p ). Having irate bosses makes time of the essence, so I apologize for bothering you. Anyway, check it out if you want to see a nice scope of LEC’s under two minutes. Tip to featherwate at the George Macy Devotees.
April 29, 2012 Comments Off
While I’ve yet to cover any of the exquisite LEC Shakespeares, I’ve had a devil of a time trying to find a complete list of the illustrators for the 39 volume set. Well, I’m happy to present to you that very coveted list, in a typed form, so that it’ll be available to LEC collectors looking for books from their favorite illustrators. All of the books were designed by Bruce Rogers.
All’s Well that Ends Well – Drawings by Richard Floethe, printed in color by A. Colish
Antony and Cleopatra – Wood engravings by Enric-Cristobal Ricart, pulled by R.& R. Clark and hand-colored by Jean Saude
As You Like It – Watercolors by Sylvain Sauvage, hand-colored by Mourlot Freres
The Comedy of Errors – Wood engravings by John Austen, pulled and printed in 5 colors by R.& R. Clark
Coriolanus - Tempura paintings by C. Pal Molnar, lithographed in 15 colors by Mourlot Freres
Cymbeline – Lithographs by Yngve Berg, pulled by the Curwen Press
Hamlet – Dry-brush drawings by Edy Legrand, printed in collotype/black/gray by Georges Duval
Henry the Fourth Part I – Color lithographs by Barnett Freedman, pulled by the Curwen Press
Henry the Fourth Part II - Watercolors by Edward Bawden, hand-colored by Jean Saude and printed in collotype by Georges Duval
Henry the Fifth – Pencil drawings by Vera Willoughby, lithographed by Mourlot Freres
Henry the Sixth Part I – Lithographs by Graham Sutherland, pulled by the Curwen Press
Henry the Sixth Part II – Lithographs by Carlotta Petrina, pulled by George C. Miller
Henry the Sixth Part III – Colored line drawings by Jean Charlot, printed in 3 colors by A. Colish
Henry the Eighth – Wood engravings by Eric Gill, pulled by A. Colish
Julius Caesar – Wood engravings by Frans Masereel, pulled by A. Colish
King John – Line drawings in three colors plus gold by Valenti Angelo, printed by A. Colish
King Lear – Brush drawings by Boardman Robinson, printed in collotype in black/2 grays by Georges Duval
Love’s Labour Lost – Crayon and wash drawings by Mariette Lydis, printed in collotype in black/gray by Georges Duval
Macbeth – Color drawings by Gordon Craig, lithographed by Mourlot Freres
Measure for Measure – Color lithographs by Hugo Steiner-Prag, pulled by Mourlot Freres
The Merchant of Venice – Watercolors by Rene ben Sussan, printed by both Mourlot Freres and Georges Duval, hand-colored by Maurice Beaufume
The Merry Wives of Windsor – Color drawings by Gordon Ross, printed in collotype in black and sanguine by Georges Duval, then hand-colored (does not state by whom…Ross, maybe?)
A Midsummer Night’s Dream – Watercolors by Arthur Rackham, lithographed in 4 colors by Mourlot Freres, hand-colored by Maurice Beaufume
Much Ado About Nothing – Watercolors by Fritz Kredel, printed in collotype by Georges Duval and hand-colored by Jean Saude
Othello – Wood engravings by Robert Gibbings, pulled by A. Colish
Pericles, Prince of Tyre – Wood engravings by Stanislas Ostoja-Chrostowski, pulled by A. Colish
Richard the Second – Wood engravings by Agnes Miller Parker, pulled by A. Colish
Richard the Third - Lithographs by Fritz Eichenberg, pulled by George C. Miller
Romeo and Juliet – Color line drawings by Ervine Metzl, printed in 2 colors by A. Colish
The Taming of the Shrew - Line drawings by W.A. Dwiggins, printed in sanguine by A. Colish
The Tempest -Watercolors by Edward A. Wilson, printed by both Georges Duval (collotype) and Mourlot Freres (2 colors), hand-colored by Maurice Beaufume
Timon of Athens – Wood engravings by George Buday, pulled by A. Colish
Titus Andronicus - Watercolors by Nikolai Fyodorovitch Lapshin, lithographed by Mourlot Freres
Troilus and Cressida – Wood engravings by Demetrius Galanis, pulled in black/terra cotta by Dehon et Cie
Twelfth Night, or What You Will - Watercolors by Francesco Carnevali, lithographed by Mourlot Freres
The Two Gentlemen of Verona – Watercolors by Pierre Brissaud, printed in collotype (key gray) by Georges Duval and hand-colored (not stated, Brissaud, perhaps?)
The Winter’s Tale – Drawings by Albert Rutherson, hand-colored by Jean Saude and printed in key-black by the Curwen Press
Note that this set is completely unsigned, so that bit of novelty is lost. However, a set of Shakespeare’s poetry followed the release of the plays. They were deliberately matched to the binding style of the rest, and this one is signed by Rogers. Hope this list aids you somehow or another!